An Inevitable

An Inevitable
(a follow-up to ‘An Unseen’ by Carol Ann Duffy)

I watched death come, anticipating, tears, cold,
empty, taking away;
deep winter, hard crunch on barren ground, life-unborn.
Death forever patient, today, tomorrow
each farewell, the future known, an inevitable.

Down the long corridor, day after day, to her room
my hello, her departing,
death, arms wide open, to embrace
bedside waiting, for that moment
when all moments coalesce.

Silence, forever silence
the remnant, memories, imprint
death-gift receipt, for the living,
before a church service, the walk home
the mind a ransom.

Richard Scutter May 2017

Cut – Sylvia Plath – Analysis

Cut
For Susan O’Neill Roe

What a thrill —-
My thumb instead of an onion.
The top quite gone
Except for a sort of a hinge

Of skin,
A flap like a hat,
Dead white.
Then that red plush.

Little pilgrim,
The Indian’s axed your scalp.
Your turkey wattle
Carpet rolls

Straight from the heart.
I step on it,
Clutching my bottle
Of pink fizz.

A celebration, this is.
Out of a gap
A million soldiers run,
Redcoats, every one.

Whose side are they on?
O my
Homunculus, I am ill.
I have taken a pill to kill

The thin
Papery feeling.
Saboteur,
Kamikaze man —

The stain on your
Gauze Ku Klux Klan
Babushka
Darkens and tarnishes and when

The balled
Pulp of your heart
Confronts its small
Mill of silence

How you jump —
Trepanned veteran,
Dirty girl,
Thumb stump.

Sylvia Plath  – 24 October 1962
(1932 – 1963)

Short sharp snappy words cut to a core … appropriate construction considering the event being described … there is no time for long deliberation. She would not have had time to compose the poem at the time of the incident but it certainly provided material for her to write a poem. It was dedicated to her nanny Susan O’Neill Roe who looked after her two young children and perhaps provided the time for her to write this work.

‘Cut’ was one of many productive poems generated in October 1962 when SP lived in London after the separation with Ted Hughes and is included in her Ariel collection.

S1 … it looks like an accident when cutting an onion … but it comes as a thrill as though something exciting has happened in a dull life … or, knowing SP’s history, during a depressive state … so instead of looking on the initial experience with horror SP steps back and lets the cut open a window for exploration … the hinge indicating an escape

S2 … this is what happens as she views the cut as the first pulse of blood comes into the dead white skin … flap like a hat – nice one syllable internal rhyme

S3 … the thumb is a little pilgrim (re: American history and the scalping of missionaries by Indians) … the thumb takes on personification … a drop of blood falls on the carpet into wool and a very apt description of the red flow into wool – like a turkey wattle

S4 … perhaps SP inadvertently treads on the blood on the carpet … she might at this stage try to stop the bleeding too … her thumb becomes a bottle of ‘pink fizz’ … so there might have been quite an initial squirt … to die out as she deals with the flow by clutching on to her thumb perhaps with her other hand

S5 … SP likens the blood flow to the Redcoats (British) in the American Civil War escaping through a gap as her blood is escaping through the cut … and as she is now escaping from the drudgery of life by this event that has given her such an unexpected thrill

S6 … well, which side is the blood on … it is her blood and escaping from her … she now realises that all is not well and she has started to feel pain so takes a pill … the thumb now becomes a little man (homunculus) … some commentators have equated this reference to Ted Hughes as he has been cut-off … but like her thumb SP cannot completely cut-off TH or the flap of skin.

S7 … a thin papery feeling – apt description of the sensation as she touches the thmb … and again the male reference to a saboteur and more extreme a kamikaze – a suicide … again thoughts go to TH … whether she would like to remove TH is this fashion or alternatively whether TH has caused the cut himself by leaving her … part of her missing

S8 … it seems she has now put a gauze dressing on the thumb to stem the bleeding and that it soaked and stained the material … another male reference this time to the exclusive group the Ku Klux Klan (an extreme group that advocated white supremacy) and the gauze takes on a Russian flavour – babushka (a headscarf tied under the chin, typical of those traditionally worn by Russian women) … the thumb becomes a head wound

S9 … the flow of blood … the heart pulp … is eventually contained … the blood mill is silenced, the fizz gone … the heart equated to a mill continually circulating … and the bandage, or babushka, dirtied … and like the first stanza there is strong emotion in a jump … a jump in her thought …

S10 … the trepanned veteran (trepan – to ensnarl) … and, following my poetic fancy, – she has been caught by the TH /Assia Wevill adultery and is now a dirty girl … SP is soiled by this experience, part of herself left hanging … and then the last line – the thumb reverts to just a stump rather than any implied poetic considerations of earlier stanzas – something she just has to live with – just as she has to live with the broken relationship with TH.

Continuum – Allen Curnow – Analysis

Continuum

The moon rolls over the roof and falls behind
my house, and the moon does neither of these things,
I am talking about myself.

It’s not possible to get off to sleep or
the subject or the planet, nor to think thoughts.
Better barefoot it out the front.

door and lean from the porch across the privets
and the palms into the washed-out creation,
a dark place with two particular

bright clouds dusted (query) by the moon, one’s mine
the other’s an adversary, which may depend
on the wind, or something.

A long moment stretches, the next one is not
on time. Not unaccountably the chill of
the planking underfoot rises

in the throat, for it’s part the night sky empties
the whole of it’s contents down. Turn on a bare
heel, close the door behind

on the author, cringing demiurge, who picks up
his litter and his tools and paces me back
to bed, stealthily in step.

Allen Curnow (1911 – 2001)

Title – continuum – something without ending, in relation to a poet – the continual creative thinking

S1 – The moon rolls over the roof … well of course the moon does not do that … a poetic personification … and quite rightly AC is talking about himself how he articulates the action of the moon … maybe he has been watching it for some time … in S2 we see the link of rolls over with the fact that AC cannot sleep. Presumably not able to sleep and being a poet decides to put pen to paper (does a poet ever stop being a poet the continual process in action).

S2 – Well AC can’t sleep, nor stop thinking about not sleeping, or anything else, nor to think thoughts – you can’t think thoughts – thoughts just come and when you are sleepy they can be all over the place … better to get out of bed and do something physical … barefoot it out the front

S3 – washed-out creation … an appropriate way of expressing the night surrounds as AC himself maybe washed-out not able to sleep

S4 – The moon dusts the clouds … AC queries whether this is the right choice of word to explain the effect of the moon. Dust implies a light colouring and often not seen until close-up, perhaps there is a better word, we will never know. One’s mine – this is AC’s dust poetic definition in opposition to the ‘dusting’ caused by the wind or something else unknown.

S5 – time varies one moment is many moments at times as he sits sleepless … only to be brought to attention by the chill of being outside with bare feet … the night sky empties it’s contents down … a clear sky perhaps a frost is coming … time to go inside out of the cold

S5 – closing the door on the creative process of the poet … demiurge = influential force, perhaps showing some modesty in regard to his creative self … it is as though this force is personified picking up his litter (paper that he has been using), tools (pen) and paces him back to his bed … closing the poet-self.

Allen Curnow is a re-known New Zealand poet who won the Queens Gold Medal for poetry in 1989 and brought New Zealand to the fore poetically. A link on Wikipedia.

I am reminded of the Ted Hughes poem ‘The Thought Fox’. Another night time poetic creation on the creative process. An internet link to analysis of this poem (courtesy of Richard Webster).

Influence of the Internet, influence of poetry …

After another atrocity … where to now after such a vile act that everyone is finding hard to comprehend? How should we deal with those that foster terrorism abroad and how do we deal with the self-proclaimed terrorist Islamic State when any form of negotiation is impossible? Anger and fear may generate more violence in the form of retaliation and revenge. And unfortunately increased polarisation is inevitable. Annihilation of the enemy and from a distance to minimise personal loss is always going to be a short term band aid solution.

The long term solution will lie with succeeding generations – ‘the hand that rocks the cradle rules the world’. It is imperative that we instil in our children a sense of value and respect for life – their own life and the life of others – in particular to be inclusive of all peoples no matter what religion. Tantamount to this is the ability to think for oneself without being misled by the mob. Hopefully such values will stay with them throughout their days in that great endeavour to make the world a better place.

But to what extent can poetry influence the world … and for that matter, to what extent can any words or thoughts change behaviour and influence life. It is happening all the time of course … we all contribute in one way or another – your voice is important. Today the influence of the internet and social networking is a very powerful force … this is an issue that has to be confronted head-on especially when the internet is used to warp the minds of the young, the vulnerable, and those that have been damaged by drugs. Theresa May has recognised the extent of the problem in her address after the recent atrocity in London. How this is to be effected is another matter.

For those with a spiritual dimension, those who believe in a ‘living creator’ –

Song of the Universe

Every Voice
Endless Rapture
Your
Voice
Oration Instilled
Creating Eternity

Some days we may not hear great harmony. But in the words of Gerard Manley Hopkins … ‘The world is (still) charged with the grandeur of God’.

Enjoy the beauty of this day and the wonder of creation.

(based on an previous Post)

An Unseen – Carol Ann Duffy – Comments

An Unseen

I watched love leave, turn, wave, want not to go,
depart, return;
late spring, a warm slow blue of air, old-new.
Love was here; not; missing, love was there;
each look, first, last.

Down the quiet road, away, away, towards
the dying time,
love went, brave soldier, the song dwindling;
walked to the edge of absence; all moments going,
gone; bells through rain

to fall on the carved names of the lost.
I saw love’s child uttered,
unborn, only by rain, then and now, all future
past, an unseen. Has forever been then? Yes,
forever has been.

Carol Ann Duffy (1955 –

S1 … Carol Ann Duffy uses few words and grammar to accentuate the way love is articulated in everyday life. Love, or perhaps intense feelings, is always associated with personal departure whether permanent or not and the return greeting after absence if there is one. This depart-return cycle is portrayed in the season of late spring the old becoming new again (old-new) expressing the repeat of nature; of love. S1 ending with the ubiquitous nature of love in terms of looking and seeing another from first sight to the last sight.

S2 … now we have specific circumstance – the departure of soldiers to war – ‘the song dwindling’ gives the impression of soldiers moving away into the distance and I do like the way CAD expresses their precarious situation – ‘the edge of absence’ and the likelihood of a permanent departure, likewise equating death as giving no future to the soldier – ‘all moments going’.

S3 … interesting how a Church service in the rain with inscriptions to dead soldiers is implied indirectly by CAD’s words … and how love’s child is uttered and then unborn – a telling statement to the death of the young … who have no future and their future is their completed life – now in the forever … they are the forever has been … love is always the forever has been.

A very poignant poem defining grief and the suffering of those left behind. Grief comes in many shapes and sizes. Those that went or go to war usually have some expectation that things may not turn out well and they may not return. But life is fragile and the unseen can always occur, a car coming round a corner on the wrong side of the road. The atrocity in Manchester last week was totally unseen. An alien philosophy carried out by a warped mind contrary to the natural flow of decency and respect for humanity. My heart and thoughts go out to all those families in grief. For so many young people their future forever has been.

The Unlucky Christ – Peter Porter – Analysis

The Unlucky Christ

Wherever they put down roots
he will be there, the Master-Haunter
who is our sample and our
would-be deliverer. Argue this-
there were men before him,
as there were dreams before events,
as there is (or perhaps is not)
conservation of energy. So he
is out of time but once stopped here
in time. What I am thinking
may be blasphemy, that I
and like him, one who cannot
let go of unhappiness, who has
come closer to him through suffering
and loathes the idea. The ego now,
and must be like a ministry,
the sense of being chosen among men
to be acquainted with grief!
Why not celebrate instead
the wayside cactus which enriches
the air with a small pink flower?
Some people can take straight off
from everyday selfishness to
the mystical, but the vague shape
of the Professional Sorrower
seems to interpose when I try
such transport. The stone had to roll
and the cerements sit up
because he would have poisoned
the world. It has been almost possible
to get through this poem without writing
the word death. The smallest
of our horrors. When they saw him
again on the road, at least they knew
that the task of misery would be
explained, the evangelical duty
properly underlined. Tell them
about bad luck, he said,
how people who get close to you
want to walk out on you,
tell them they may meet one person
even more shrouded than themselves.
Jesus’s message at Pentecost
sounded as our news always does,
that there is eloquence and decency,
but as for happiness,
it is involuntary like hell.

Peter Porter (1929 -2010)

Everybody has heard of Jesus and many have had some introduction on Christian philosophy. So perhaps JC can be considered to ‘haunt’ life. Where haunt is to trouble, disturb or worry people. And indeed there were men before him without any specific knowledge on the life of JC akin to ‘dreams before events’.

PP, who was known as quite a depressive person, strongly identifies with the suffering and unhappiness in the life of JC. As if he, like JC, was chosen to be acquainted in this way –
                             ‘the sense of being chosen among men
                              to be acquainted with grief’

Grief is endemic in life – perhaps PP thinks he has had an undue share. His mother died when he was quite young and his first wife committed suicide leaving two young girls needing support. For those who know the poetry of PP unhappiness is a feature of many of his poems. PP stating that he has a stone of unhappiness caught in the lining of his pocket (see his poem What I have written I have written).

It is common to think of JC as the Professional Redeemer rather than the different perspective of being the Professional Sufferer.

But why not celebrate other aspects of life that are not linked to suffering? –
                               ‘the wayside cactus which enriches
                                the air with a small pink flower’
I think one reason is that we are often caught in a non-acceptance of death and want a life continuation. Perhaps we worry too much!

However JC did complete his ‘almighty task’ The cerements sit up being burial clothes. And his suffering was explained – did have a purpose. Life eternal. Nice that PP, a writer,
properly underlines the evangelical duty.

But PP is hung up on bad luck – and continues in that tone mentioning those that have been close in life and then they deceive. Perhaps inference can be made to his Mother’s early death or the suicide of his first wife.

The last line states his position – there is no control on happiness, happiness is involuntary and he has been fated. He has chosen to concentrate on the negativities – I think this is an unfortunate life-script.

And although JC was perhaps the most unlucky of all men there is one consolation he had support from the most powerful and we do not know how this manifested itself in his life experience on earth. I think JC did say ‘my yoke is easy’ but maybe this is quite hard for us unknowing mortals to understand.

PP a distinguished Australian poet who based his life in London and was at one time a candidate for the Professor of Poetry at Oxford. A Wikipedia link.

Sentenced to Life – Clive James – Analysis

Sentenced to Life

Sentenced to life, I sleep face-up as though
^^ ^ ^ ^ ^ ^^ ^ ^
Ice-bound, lest I should cough the night away,
^^ ^ ^ ^ ^ ^ ^ ^^
And when I walk the mile to town, I show
^ ^ ^ ^ ^ ^ ^ ^ ^ ^
The right technique for wading through deep clay.
^ ^ ^^ ^ ^^ ^ ^ ^
A sad man, sorrier than he can say.
^ ^ ^ ^^^ ^ ^ ^ ^

But surely not so guilty he should die
Each day for knowing that his race is run:
My sin was to be faithless. I would lie
As if I could be true to everyone
At once, and all the damage that was done

Was in the name of love, or so I thought.
I might have met my death believing this,
But no, there was a lesson to be taught.
Now, not just old, but ill, with much amiss,
I see things with a whole new emphasis.

My daughter’s garden has a goldfish pool
With six fish each a finger long.
I stand and watch them following their rule
Of never touching, never going wrong:
Trajectories perfect as plain song.

Once, I would not have noticed; nor have known
The name for Japanese anemones,
So pail, so frail. But now I catch the tone
Of leaves. No birds can touch down in the trees
Without my seeing them. I count the bees.

Even my memories are clearly seen:
Whence comes the answer if I’m told I must
Be aching for my homeland. Had I been
Dulled in the brain to match my lungs of dust
There’d be no recollection I could trust.

Yet I, despite my guilt, despite my grief,
Watch the Pacific sunset, heaven sent,
In glowing colours and in sharp relief,
Painting the white clouds when the day is spent,
As if it were my will, and testament –

As if my first impressions were my last,
And time had only made them more defined,
Now I am weak. The sky is overcast
Here in the English autumn, but my mind
Basks in the light I never left bebhind.

Clive James (1939 –

Clive James wrote this poem in 2014 at a time when his health had deteriorated to the extent where time is a very precious commodity. Walking into Cambridge was a great effort. The person he met on this walk was Germaine Greer and she describes this meeting when she selected this poem for the anthology ‘Poems That Make Grown Women Cry’. She does not specifically recall asking CJ whether he aches for his Oz homeland but she certainly remembers the meeting. Germaine Greer was a contemporary of CJ from his Cambridge University days.

Looking at the title ‘Sentenced to Life’ … well that is one way of looking at life for we are forced into life … but to what extent it is a ‘sentence’ is another matter. Of course it is very much a play on words for one who has made much of life through writing and words … whether or not CJ has been happy with his ‘sentencing’ is another matter. But according to his website writing was very important for completion of the translation of Dante’s Inferno kept him alive. In a BBC interview broadcast on 31 March 2015, James described himself as ‘near to death but thankful for life’. However, in October 2015 he admitted to feeling ‘embarrassment’ at still being alive thanks to experimental drug treatment.

It is a very will crafted poem with flowing pentameter rhythm and a rhyming scheme ‘ababb’. CJ is very appreciative of ‘poetic skill’ and I recommend reading his ‘2006 -2014 Poetry Notebook’ for an excellent discussion on poetry.

Looking at the poem –
S1 – his health situation is explained … ice-bound equating to frozen (a death position) …
he feels sorry for himself … a challenge to walk into town  … (from the GG commentary on this poem he was walking into Cambridge for breakfast)
S2,S3 – he doesn’t mind death because his race has been run … but his sin, his guilt is being faithless … note – he was thrown out of the family home by his wife after he admitted on a TV show that he had been having a relationship with another woman for eight years – being true to everyone (is this possible) – but he has to come to terms with his failing health and lack of mobility … this gives a new emphasis on life … a lesson to be learnt
S4, S5 – so now he has an appreciation for all the little things he never noticed … he has time to count the bees … he sees things in detail as he watches from his room
S6 – the recall of his birth homeland sunset is not affected by his health problem, his mind can still be trusted … in glowing colours, sharp relief
S7 – so in answer to the question of whether he had an ‘ache for his homeland’ … he gives a clear description of the Pacific sunset from memory – this is sufficient perhaps … ‘heaven sent’ … he is thankful for the power of his mind
S8 – in this way his homeland is forever meaningful … will always be with him … despite the overcast environment – sky and health … his mind basks giving sunshine to the few remaining days

To what extent do expats ache for their homeland origins – to what extent can memory compensate for any ache?

Clive James (1939 – ) is an Australian author, critic, broadcaster, poet, translator and memoirist, best known for his autobiographical series Unreliable Memoirs, for his chat shows and documentaries on British television and for his prolific journalism. He has lived and worked in England since 1962.

A link to Clive James on Wikipedia

It is nice to look back and cherish key memories … those that still give comfort as we age … perhaps this is a natural process as we look back on life. Sharing such a moment from my life, reflecting back on my days in England before I came to Australia …

Stopping One Day

I remember one day in June.
The height of summer and the sun
still rising on one of those days
that calls all nature into song.

Biking the back lanes of the Hampshire countryside.
Stopping on a bridge over a stream
the clear sparkling chatter below, while beyond
the fields praising their contentment.

Extra-terrestrial Report – Michael Thwaites

Extra-terrestrial Report

Arrived at the heavenly mansions, the blessed Saint
(female on earth) was welcomed by St Peter
enquiring whom she most desired to meet.
Mother Mary? Positively no problem;
Let me conduct you. Presently, bathed in bliss,
they sat together, in light and joy and fun.
The Saint was charmed. Mother, how can it be –
you so divine, yet still so down-to-earth?
I don’t forget; and here I have my Son –
As a sword pierced my soul, he from the Cross
gave me in tender care to his dear friend,
my Son, my Son.
Yet there, as you have read,
he learned obedience by the things he suffered:
So did we all…
The Saint took courage, asked,
diffidently bold, Those pictures we so loved –
the Babe and you adoring: did we catch
ever a trace of not-quite-perfect joy?
Mother Mary twinkled – I was young:
I’d really wanted a girl.

Michael Thwaites

A novel theme for a poem and of course there are many departed souls where it would be entertaining to have a make-belief conversation – to really find out from the horse’s mouth so to speak the truth of the matter on a personal level. It is very appropriate that the conversation is female to female.

The thing is we are often conditioned to look at people in certain ways. This poem is made by the interesting twist of looking at the traditional mother-child Christ image in a more down to earth light. And let’s face it Mary was an earthly mother and I’m sure she had a few difficult times in the mothering of Jesus! But was he perfect in his response to his childhood mothering?

And perhaps Mary really did want a girl. And did Jesus really understand what it was like to be female? Perhaps JC the one male that truly understood the female! And what if a girl-Christ had happened – now that would be an interesting concept to explore!

Michael Thwaites (30 May 1915 – 1 November 2005) was an Australian academic, poet, and intelligence officer.

Michael Thwaites on Wikipedia