Nothing Doing – a response to the wanton Ukraine destruction

Nothing Doing
on a visit to a dying nun

and again seeing
the rubble of some impossible buildings
people are emerging through the tangled mess
probably a three-year-old girl
her left hand holds a tatty bear
her right hand is held tight by her mother

the camera focuses on her face
her eyes vacant, expressionless
someone in the nursing-home
presses the remote

the screen blanks
nothing

she is propped up by two cushions
prepared for my visit
she gives a gentle smile

as blue eyes spark into life
her frail hand motions
to the chair by her bed
I think it sad that she will
leave this world in such
a hopeless state

soon she will be silent
her body gone
nothing

but when Russians fire their bullets
she will be there in her nothing
bleeding her impervious spirit
while holding the hand
of a three-year-old girl

Richard Scutter July 2022

The image of the child portrayed in the above was from TV news footage several months back.

Bobowler – Liz Berry – Comments

Bobowler
Darkling herald, 
see her flower-face on a waning moon
and spake her name aloud
to conjure the voice 
of one you loved and let slip
through the wing gauze of jeth. 

In the owl-light,
when loneliness shines
through your bones like a bare bulb,
she'll come for you,
little psyche bringing missives
from the murmuring dark. 

She comes to all the night birds:
cuckoos, thieves, the old uns
and the babies in their dimlit wums, 
the boy riding his bike 
up Beacon Hill, heart thundering 
like a strange summer storm. 

And the messages she carries 
in her slow soft flight? 
Too tender to speak of, too heartsore, 
but this: I am waiting. 
The love that lit the darkness between us 
has not been lost. 
Liz Berry (1980 –
from her book 'The Republic of Motherhood'.

Liz Berry is a Black Country poet in that she lives and writes poetry in connection with that area known as the Black Country in England an area in the midlands near Birmingham and her book entitled the same includes the use of the local dialect and it won the Forward Prize for the Best First Collection in 2014.

She very kindly sent a reading of the above poem for our U3A Poetry Appreciation Group in Canberra last week. It was wonderful to hear her, and I was totally mesmerized by the touch of humour that pervaded her presentation along with the pronunciation of the local vernacular.

Bobowler = a large moth in the local language
Jeth = deth
Cuckoos = lovers
dimlit wums = homes

Here are my comments …

S1 – quite a pretty moth and shaped in conjunction with the moon appropriately associated with the night as it seeks light … darkling is a not a common usage word and what came to mind was darkling in connection with Thomas Hardy and The Darkling Thrush … but the moth is a herald to the memory of someone loved who let slip through the wing gauze of deathwing in relation to the moth and the flight from life … but the voice of the departed can be conjured into life … indicating a touch of magic in the recreation in her mind … something very special in the relationship.

S2 – Interesting that owl is integrated in the Bobowler title. I do like the way this second stanza expresses how loneliness and loss is subjugated through bones like a bare bulb and bringing missives; messages out of the murmuring night. Missives is an interesting word having a contractual flavour. The subtle shadow communication of the person loved is likened to the flutter of a moth against the light of the bulb. The analogy with the seeking of light.

S3 – A wider generic communication perhaps … she comes to all … of those much loved that have departed … bringing messages … whether to lovers, the aged, babies in their homes (dimlit wums) … or something very specific as a boy struggling on a bike up Beacon Hill … the departed are continually fluttering into our lives to live again so to speak … linked in the mind

S4 – The messages are back to the personal … tender and likened to the slow soft flight of the moth. Love is rekindled and never lost. The love that lit the darkness between us may imply more than just the separation by death.

An example of how something simple in nature like a moth flitting against a light bulb can be used for poetic expression. And how seeking light can be transferred into seeking connection with the dead. And the use of the old dialect may help the recall.

Liz Berry on Wikipedia

Playing with words – A Wislawa Szymborska poem

The Three Oddest Words

When I pronounce the word Future,
the first syllable already belongs to the past.

When I pronounce the word Silence,
I destroy it.

When I pronounce the word Nothing,
I make something no non-being can hold. 

Wisława Szymborska (1923 - 2012)
Translated by S. Baranczak & C. Cavanagh

Poets do like playing with words. And the choice of words is always a consideration. And so too the way they will present themselves when pronounced. An example is HIS, a wonderful word to be used when talking about a snake in a poem. So, if you are considering creating a poem about a snake make it masculine.

Looking at the three words in the above. Future is a two-syllable word. It is really a past/present word when split into syllables and pronounced. And so does that make all one-syllable words present, well until you release pronunciation of the syllable and then it fades into the past. Well, of course it is continually fading as the sound of the syllable dissipates. In the example of HIS, perhaps you should hold that sound when reading to make that snake a vicious one about to bite the listener.

Silence is not a word to have in a poem for it destroys the intent of what the poet is trying to create. Is it better to have a pause instead when reading the work? And how do you create a pause and hold a break when reading a poem?

Nothing is of course something for NOTHING is beyond comprehension.

So here is a sonnet which contains the word SILENCE … but I am asking the reader not to say the word SILENCE but to make a twenty second break. So that when it is read it is no longer a sonnet – so to speak (sorry about that!).

Wind and Sun

Wind and sun give us a choice,
shouting with their voice.
SILENCE
Drenching rain, din, din, din
soaked again to the skin.

And to add overwhelming proof
some are climbing on the roof. 

Some think of building a new arc
but cut down trees to make a start.

Our children know better though,
they're being taught the way to go.
Wind and sun give us a choice,
shouting with their voice.
SILENCE

Well, we are experiencing unprecedented flooding in Eastern Australian!

See my previous Post on The Joy of Writing by Wisława Szymborska.

The Joy of Writing – Wislawa Szymborska – Analysis

Here is a poem by the famous Polish poet Wislawa Szymborska. My comments after each stanza in italics. It does remind me of ‘The Thought Fox’ by Ted Hughes.

The Joy of Writing
Why does this written doe bound through these written woods?
For a drink of written water from a spring
whose surface will xerox her soft muzzle?
Why does she lift her head; does she hear something?
Perched on four slim legs borrowed from the truth,
she pricks up her ears beneath my fingertips.
Silence - this word also rustles across the page
and parts the boughs
that have sprouted from the word 'woods.'
Lying in wait, set to pounce on the blank page,
are letters up to no good,
clutches of clauses so subordinate
they'll never let her get away.

The creative process in the mind of the writer is likened to a doe in the woods that comes for a drink … as though the mind has a thirst to be quenched … but why does this creative process occur … why does the mind do this forcing the fingertips into action …  and there is a period of silence, or if you like thinking that goes on … or rustles across the page … and what has sprouted are letters up to no good … a nice way of saying that there is a lot of work to do to make them good … and I do like the clutches of clauses so subordinate

Each drop of ink contains a fair supply 
of hunters, equipped with squinting eyes behind their sights, 
prepared to swarm the sloping pen at any moment, 
surround the doe, and slowly aim their guns.

The pen becomes a gun that takes aim to produce a hit … the transformation from thought to actual words … a question for consideration is how to get a bullseye so to speak … to hit the target that the mind intended

They forget that what's here isn't life.
Other laws, black on white, obtain.
The twinkling of an eye will take as long as I say,
and will, if I wish, divide into tiny eternities,
full of bullets stopped in mid-flight.
Not a thing will ever happen unless I say so.
Without my blessing, not a leaf will fall,
not a blade of grass will bend beneath that little hoof's full stop.

The writer is in total control and will determine what is being said and how it is being said. The writer will halt the process until he or she is ready … that last line holds the doe in mid-flight … but the doe might disappear completely if the wait is to long … those that get a thought in bed and fail to capitalise on their night wonders happening in the mind while in bed

Is there then a world
where I rule absolutely on fate?
A time I bind with chains of signs?
An existence become endless at my bidding?

Responding to the endless existence of creativity where the writer rules … creativity becomes alive … bind with chains of signs … says something about the transformation to words

The joy of writing.
The power of preserving.
Revenge of a mortal hand.

The power of the written word compared to the mortal hand … preserving … creating a legacy … the ‘I was here’ written in concrete … in books and letters … the immortality of Shakespeare

Wislawa Szymborska (1923 - 2012)
Translated by S. Baranczak & C. Cavanagh

Wislawa Szymborska on Wikipedia
The Thought Fox by Ted Hughes

Epitaph on a Friend – Robert Burns

Epitaph on a Friend
An honest man here lies at rest, 
As e’er God with His image blest:
The friend of man, the friend of truth;
The friend of age, and guide of youth:
Few hearts like his, with virtue warm’d,
Few heads with knowledge so inform’d:
If there’s another world, he lives in bliss;
If there is none, he made the best of this.
Robert Burns (1759 – 1796) 

A friend of mine died recently. This poem was on his service sheet at his funeral. All his life he questioned whether there was any afterlife.

The last line is testimony to a well lived life in support of humanity. This was all that mattered to him.

A thought: do we, and Church people in general, spend too much time worrying and pontificating on the nature of any afterlife? Seeking the truth internally and living accordingly is more appropriate without any needless heaven-salvation talk.

Robert Burns on Wikipedia – Robert Burns – Wikipedia

‘Floating’ – Marking the 21st Anniversary – SIEV X Tragedy

The SIEVX Memorial Weston Park, Canberra
Each pole represents a death, the height distinguishes between adults and children.
Floating

early morning sunshine brightens 
enlightening the wide expanse 
bobbing gently up and down in calm waters, 
a dead mother with umbilical cord 
still attached to her baby 

far, far away over the waves 
in a totally foreign land 
it is breakfast time as a politician
sips coffee and reaches for another piece of toast
certain that his decisions are right 

Richard Scutter October 2022

Although the ACT government supported the installation of the memorial, the National Capital Authority were placed in an awkward position as it was strongly opposed by the government of the time. Permission was withheld for a year, and in an act of defiance, 2,000 Canberrans joined the 300 artists, church, and school groups and in a special ceremony held the memorial up by hand for five minutes. 


The Refugee Action Campaign Website

Details of the Memorial on Wikipedia

Lana Turner has collapsed – Frank O’Hara

Lana Turner has collapsed

Lana Turner has collapsed!
I was trotting along and suddenly
it started raining and snowing
and you said it was hailing
but hailing hits you on the head
hard so it was really snowing and
raining and I was in such a hurry
to meet you but the traffic
was acting exactly like the sky
and suddenly I see a headline
LANA TURNER HAS COLLAPSED!
there is no snow in Hollywood
there is no rain in California
I have been to lots of parties
and acted perfectly disgraceful
but I never actually collapsed
oh Lana Turner we love you get up

Frank O’Hara (1926 - 1956)

This is New York and the weather is not good, and the guy is in a hurry to reach an appointment. He is walking with a friend. And to add to his rush is the fact that it has started to rain and snow. This is very annoying. Who hasn’t been in a similar situation and found the weather irritating? His friend said it is hail. But he has his eye on the weather and knows it is not hail, he knows that it would hit him. So in his irritated mood he must correct his friend; if only mentally.

And the traffic is like the weather annoyingly holding things up in his rush to reach his destination. It is that everything going against you type of thing that we all experience from time to time when the one thing we are trying to do is stopped continually by events happening around us.

Poetically these lines marry in with the rush when you say them quickly. And although it is not a sonnet it has that marked change as the whole key to the poem is in a repeat of the title. The title in capitals. And this guy’s mindset has totally changed. And all that irritation has been subdued by the fact that ‘Lana Turner has collapsed’. Wow, it is there on a newsstand, and it hits much harder to the head than any hail! Well, you don’t really have to know anything about Lana Turner other that it is significant to this guy who is hurrying along the street.

And the last six lines deal with the total change in thought. California and Hollywood come to mind. The weather in California is a little different from New York! And we can now assume that Lana is a party-party high flying actress of some prominence. And like Lana this guy is known to behave disgracefully at times. And the plea is for Lana to get up akin to his likewise ability when in similar circumstances.

Frank O’Hara on Wikipedia

The Day is Done – Henry Wadsworth Longfellow – Analysis

The Day is Done

The day is done, and the darkness
   Falls from the wings of Night,
As a feather is wafted downward
   From an eagle in his flight.
I see the lights of the village
   Gleam through the rain and the mist,
And a feeling of sadness comes o'er me,
   That my soul cannot resist:
   
A feeling of sadness and longing,
   That is not akin to pain,
And resembles sorrow only
   As the mist resembles the rain.
   
Come, read to me some poem,
   Some simple and heartfelt lay,
That shall soothe this restless feeling,
   And banish the thoughts of day.
Not from the grand old masters,
   Not from the bards sublime,
Whose distant footsteps echo
   Through the corridors of Time. 
For, like strains of martial music,
   Their mighty thoughts suggest
Life's endless toil and endeavor;
   And to-night I long for rest.
   
Read from some humbler poet,
   Whose songs gushed from his heart,
As showers from the clouds of summer,
   Or tears from the eyelids start;
Who, through long days of labor,
   And nights devoid of ease,
Still heard in his soul the music
   Of wonderful melodies.
Such songs have power to quiet
   The restless pulse of care,
And come like the benediction
   That follows after prayer.
Then read from the treasured volume
   The poem of thy choice,
And lend to the rhyme of the poet
   The beauty of thy voice.
And the night shall be filled with music
   And the cares that infest the day,
Shall fold their tents, like the Arabs,
   And as silently steal away.
Longfellow (1807 – 1882)

Mention of Longfellow immediately reminds me of the ‘Song of Hiawatha’ and the associated rhyme and rhythm and there is likewise a similar sense of musicality in this poem with the second and fourth line of each stanza rhymed. And there is that iambic flow with unstressed and stressed syllables as you read the stanzas; as in the opening lines – the day is done and the darkness / falls from the wings of night.

This is a poem all about sadness and there is that gentle soft fall of sadness akin to a feather wafting down to the ground by an eagle personified as the fall of night. As though the night has taken away something beautiful. The eagle is no longer seen. At the same time something beautiful remains by the feather slowly floating down.

So what is left at the end of the day is just a feather. The end of the day is often seen as a poetic suggestion to the end of life. So here is something beautiful left behind blowing in the wind and disappearing in the night.

Then the lights of the village are blurred as though the sadness has affected the poet’s vision. And there is sorrow with the sadness like with mist and rain; implying perhaps that the sorrow is not overwhelming.

And there is an ask for a simple poem. Not martial words or words from the great masters.  But for a poem from the heart from a humble poet, and someone who has gone through many trials of life but found joy despite all the difficulties. Metaphorical defined as showers from the clouds of summer. And associated with the ask for a poem is an ask for a reading of the poem, for a voice to be heard as a song to enhance the words. The choice of the poem is left up to the reader.

And if this occurs and the request successful cares will disappear akin to Arabs packing up their tents and stealing away. I like the thought that poetry can steal negative emotion and be uplifting.

Henry Wadsworth Longfellow on Wikipedia – Henry Wadsworth Longfellow – Wikipedia