Portrait of a Machine : Louis Untermeyer

Portrait of a Machine

What nudity as beautiful as this
Obedient monster purring at its toil;
These naked iron muscles dripping oil
And the sure-fingered rods that never miss.
This long and shining flank of metal is
Magic that greasy labour cannot spoil;
While this vast engine that could rend the soil
Conceals its fury with a gentle hiss.
It does not vent its loathing, it does not turn
Upon its makers with destroying hate.
It bears a deeper malice; lives to earn
It’s masters bread and laughs to see this great
Lord of the earth, who rules but cannot learn,
Become the slave of what his slaves create.

Louis Untermeyer

A sonnet … abba / abba /ababab … the machine is personified … two important attributes compared – beauty and power

The first eight lines show the machine as an untiring body with the beauty of its created components compared to muscles, fingers, and flank. The purring voice never faltering. The power of the machine far out weighing the physical capability of the mere creator.

The last six lines then reflect the non-emotional characteristic of the inanimate object but there is a subtle twist for the machine may have the last laugh – the question on the effect it has on its creator … does the creator become a slave to his or her creation?

I remember years ago visiting the Rowntrees Chocolate factory in York and watching girls taking deformed smartees from the production line. I guess that nowadays this would be an automated process.

From Wikipedia … Louis Untermeyer (October 1, 1885 – December 18, 1977) was an American poet, anthologist, critic,[and editor. He was appointed the fourteenth Consultant in Poetry to the Library of Congress in 1961.

https://en.wikipedia.org/wiki/Louis_Untermeyer

… and perhaps an appropriate time for a New Year’s resolution … for the Internet may well laugh at us if we spend all our time absorbed in this activity … well, time for a cup of tea …

 

Christmas Day – A Fibonacci Poem

Christmas Day

this
day
is a
special day
for celebration
it is that one day in the year
when Christians stop to honour the birth of Jesus Christ
and Christ love becomes married with all humanity in the destiny of the world

Richard Scutter

The Fibonacci numbers are the numbers in the following integer sequence, called the Fibonacci sequence, and characterized by the fact that every number after the first two is the sum of the two preceding ones: 1 , 1 , 2 , 3 , 5 , 8 , 13 , 21 , 34 , 55 , 89 , 144 , …

A Fibonacci poem … each line has the number of syllables that follow this sequence.

Footnote …

Considering someone who was very Christ-Centric in his spiritual thought …

No work of the great believer Teilhard de Chardin can be understood except in relation to his ‘fundamental vision’ – as Christ as all-in-everything, of the universe moved and com-penetrated by God in the totality of its evolution.

– comment by the French Editor of Le Milieu Divin by Teilhard de Chardin

(com – penetrated  – converting and penetrating)

When ‘we’ create something part of us is always reflected in that creation and when we are not quite happy with it we continue to improve it to the way we eventually would like it to be … unless, of course, it is a continuing improving phenomenon without end.

All the best to everyone in this wonderful wide world.

Enjoy this time with family and friends.

Christmas Time – time to enjoy …

ChristmasTable

‘Riversdale’ – National Trust Property, Goulburn NSW on their Open Day 5 November

Christmas Time

Christmas time and holy bells chime
family time
and even if family are away
enjoy the day!

in the bright sun of Christmas morn
Christ was born!

it’s not the time to be forlorn
so please join in and play your part
tolerate the family fart!

family time, enjoy the day! Christ was born!

Richard Scutter

A Christmas Ovillejo, a Spanish poetic form …

10 lines
3 rhyming couplets, lines of eight syllables
second lines (lines 2,4,6) are short and only 3 or 4 syllables and are a reflection or comment on the first line of the couplet
then a quatrain ‘abba’
last line combines line 2, 4, and 6 as one line

Enjoyment may not be easy for those that find Christmas a very difficult time of the year for whatever reason.

Little Jack Horner – Discussion

Little Jack Horner

Sat in the corner
Eating a Christmas pie.
He stuck in his thumb
And pulled out a plum
And said, “What a good boy am I!”

Anonymous

Discussion …

What is the meaning behind the well-known words of this nursey rhyme …

… my thoughts …… he sat in the corner … perhaps he didn’t want to be found out that he had taken the pie, he wanted to secretly have it to himself and not be disturbed … and what was he after – plums! … he ignored the pastry and put in his thumb searching for one … he seems impatient to get to the inside … though the pie is much more!… and he does seem to be a little self-centred and that anything slightly fortunate is due to him being good and deserving of such fortune … what if the plum had a stone which cracked a tooth … would that have indicated that he had done something bad.

… this nursery rhyme was given as the chapter-title-poem on Meaning and Idea in Laurence Perrine’s excellent book Literature – Structure, Sound, and Sense (isbn 0-15-55 1100-9) … the interpretation …the pie exists for the plum (at least for Jack) though the pie is much more! … poetry (pie) is more than just meaning (plum) … savour the whole poetry pie please … don’t just look for meaning … that’s right eat the pastry and enjoy with your custard! … take a holistic approach when reading poetry … don’t just search for your plums … savour the total poetic experience … even if the essence of the poem is alien to your point of view … and poems are not word puzzles to be interrogated by the mind of the reader seeking some justification for their existencu.

Well Christmas is coming and I guess presents will come your way in some form or other. So make sure you inspect the card carefully and unwrapp slowly and when you sight the the unwanted (don’t go plum crazy) be generous in your response no matter what … quite often the ‘unwanted’ can eventually be of use to you or someone else … and if you are a poet you should be well versed in the use of your imagination!

Footnotes …

… funny that even today some still think that if something “unfortunate” happens it is due to that person being bad … and globally the current world woes are, of course, due to the world being bad

The origins/history according to the Site below give a different perspective on this nursery rhyme … http://www.rhymes.org.uk/little_jack_horner.htm
… funny place to put valuables – in a pie … there again we used to have a coin in the family Christmas pudding … a three-penny piece from memory. And I must admit that as a child the main focus was on getting a coin.

Framed in a first-storey winder … Anonymous

Framed in a first-storey winder …

Framed in a first-storey winder of a burnin’ buildin’
Appeared: A Yuman Ead!
Jump into this net, wot we are ‘oldin’
And yule be quite orl right!
But ‘ee wouldn’t jump …
And the flames grew Igher and Igher and Igher
(phew!)

Framed in a second-storey winder of a burnin’ buildin’
Appeared: A Yuman Ead!
Jump into this net, wot we are ‘oldin’
And yule be quite orl right!
But ‘ee wouldn’t jump …
And the flames grew Igher and Igher and Igher
(strewth!)

Framed in a third-storey winder of a burnin’ buildin’
Appeared: A Yuman Ed!
Jump into this net, wot we are ‘oldin’
And yule be quite orl right!
Honest!
And ‘ee jumped …
And ‘ee broke ‘is blooming neck!

anonymous

A poem that leads you higher and higher to a climax in the so important last line.

You have to know who to trust. The reason this poem is anonymous ‘cos the guy who ‘rote it was the guy in the street telling the person what to do like!

Digging – Seamous Heaney – Analysis

Digging

Between my finger and my thumb
The squat pen rests; snug as a gun,

Under my window, a clean rasping sound
When the spade sinks into gravelly ground:
My father, digging. I look down

Till his straining rump among the flowerbeds
Bends low, comes up twenty years away
Stooping in rhythm through potato drills
Where he was digging.

The coarse boot nestled on the lug, the shaft
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked,
Loving their cool hardness in our hands.

By God, the old man could handle a spade.
Just like his old man.

My grandfather cut more turf in a day
Than any other man on Toner’s bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away

Nicking and slicing neatly, heaving sods
Over his shoulder, going down and down
For the good turf. Digging.

The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I’ve no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.

Seamous Heaney

S1 and S2 …His father was skilled at the use of the spade in the garden. SH compares his poetic skill in contrast … and he fires away in the opening lines – snug as a gun. At the same time he can watch the work of his Father from the window. He incorporates this distraction into words … it is as though Father and Son are working together each dedicated and focused.

S3 and S4 … However, when his straining rump comes up twenty years away there is indication that this is a reflection … so the words may not be coming directly from his seated position looking out the window as his Dad works but from memory. And the picking of the potatoes – to scatter new potatoes that we picked … perhaps he is recalling when as a child he helped in the garden. (The lug is the shoulder of a spade)

What is clear is the digging skill of his Father and Grand-father. And emphasied by the two lines and exclamation in stanza five.

S6 and S7… And in comparison with others his Dad was quite a champion at digging and when interrupted and given a drink he is quick to take up work again … a momentary break – as indicated by the break between stanzas six and seven. Repetion gives emphasis to his focus on digging.

S8 … The next stanza gives sensual feeling to this family digging work, both smell and sound. Digging goes deep into family history connecting the two with his words – the curt cuts of an edge through living roots. But this type of work is not for SH.

S9 … A repeat of words from S1 – the squat pen rests. Squat gives weight to his implement to contrast with the spade where the foot is replaced by the finger.  Seamous Heaney was as dedicated to poetry as his past family were to digging. Poetry was a new branch to the family tree. And of course he truly becme a well-respected champion at his art.

In this poem SH states his calling and gives emphasis that he is taking a different path from previous generations, and perhaps the expectation of family. He solidly makes known his calling with this wonderful example of his poetic skill.

It is great if a person knows what they should be doing in life and follows it even though it might be very different and against tradition and against family opposition.

Nasturtiums – Margaret Scott – Analysis

Nasturtiums

The nasturtiums are sprouting in hundreds
across the garden. Each seed puts down
a succulent white root, thrusts up a stalk
with two small neat round leaves, winsome
and vividly-green as those comic-book plants
dotted among a child’s party of frogs.
I feel like a cruel old witch when I yank them out,
but left to themselves they swell to monstrous mounds –
turtles with heaving shells of soft green platelets
simmering mobs of pale-eyed parasols
shaken by a raucous babble of lurid shrieking
more dreadful in lying low in venomous silence.
Sniggering flowers peak out – orange and mustard
some yolk-yellow with throats as brown as hyenas
or bad teeth, some paler as bulbous foreheads
and dwarfish scowls. They have blood on their chins
and spiky hair on their lips. What a crop!
What a nest of serpents. What can have rotted down
in this mild garden to feed these hysterical leaves
and malevolent blossoms?

Margaret Scott (1934 – 2005)

I can identify with this poem strongly as my garden is often overrun with these creatures and they do seem to have a liking for the compost area. But I must say they do provide a cover for a lot of sins. Below is a photograph taken from my garden which clearly demonstrates their dominance if left unchecked …

Nasturtiums

It also illustrates how well the words of the poem fit the reality of the plant and they are certainly a veritable mound of turtles with heaving shells of soft green platelets. And the flowers have blood on their chins and spiky hairs on their lips. All flowers have a face and are pretty and some are prettier than others. This poem with the strong personification gives clear evidence that the poet is a gardener who has done conflict with this plant on numerous occasions. They do grow so quickly and no matter how much you yank them out they will be sure to turn up again.

Margaret Scott does not mention the distinctive scent which I always find a touch antiseptic and not quite pleasant – nor the fact they have decorative and edible properties.

MS was an Australian author, poet, comedian, educator and public intellectual.

Margaret Scott on Wikipedia … https://en.wikipedia.org/wiki/Margaret_Scott_(author)

China – wise sayings and concise words

China – wise sayings and concise words …

In early days it was so important to create words that were memorable and catchy to facilitate dissemination given that word of mouth (excuse the pun) was the only way to communicate … hence the importance of the actual words and their association, plus linking to rhyme and song to further remembrance and usage in the populace.

Most Chinese proverbs are based on historical events and the greatest number originates from that rich period of history, the third century BC, when the first Emperor of China reigned (Qin Shi Huang). He was the sovereign who united China, built the Great Wall, and created the magnificent tombs with the army of terracotta warriors.

An example … Govern the country like you would cook a small fish

My (an) interpretation … Fish = Wealth … treat the country as though you have little and therefore respect every element that you have … not wasting any part … therefore take great care in making use of all that is covered in your governance (cook gently and caringly so not to spoil) … and in your own house where you can enhance that resource with your own personal touch

Recommended reading for those interested in history connected to words is … A Thousand Pieces of Gold … A memoir of China’s past through its proverbs by Adeline Yen Mah … … this book describes the meeting of Adeline and Philip Larkin who described Chinese proverbs as ‘white dwarfs of literature’ … white dwarfs = tiny stars whose atoms are packed so closely together that their weight is immense compared to their size … proverbs being densely compacted with thoughts and ideas

Sample Proverbs …

One written word is worth a thousand pieces of gold

Clapping with one hand produces no sound

Binding your feet to prevent your own progress

When a tree falls the monkeys scatter

Adeline Yen Mah on Wikipedia – https://en.wikipedia.org/wiki/Adeline_Yen_Mah … and here is a link to Chinese Proverbs on Wikiquote … http://en.wikiquote.org/wiki/Chinese_proverbs

Footnote … Adeline also states that the equivalent to Shakespeare in China is Sima-Qian (145 – 90BC) a Chinese historian who lived during the Han dynasty. He wrote only one book Shiji (Historical Record) which was published after his death and has been a bestseller since … perhaps the greatest Chinese book ever written.

Wikipedia Link … http://en.wikipedia.org/wiki/Sima_Qian