To His Coy Mistress – Andrew Marvell

To His Coy Mistress

Had we but world enough and time,
This coyness, lady, were no crime.
We would sit down, and think which way
To walk, and pass our long love’s day.
Thou by the Indian Ganges’ side
Shouldst rubies find; I by the tide
Of Humber would complain. I would
Love you ten years before the flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires and more slow;
An hundred years should go to praise
Thine eyes, and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.

For, lady, you deserve this state,
Nor would I love at lower rate.
But at my back I always hear
Time’s wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found;
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long-preserved virginity,
And your quaint honour turn to dust,
And into ashes all my lust;
The grave’s a fine and private place,
But none, I think, do there embrace.

Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapped power.
Let us roll all our strength and all
Our sweetness up into one ball,
And tear our pleasures with rough strife
Through the iron gates of life:
Thus, though we cannot make our sun
Stand still, yet we will make him run.

Andrew Marvell (1621 – 1678)

It is certainly a carpe diem poem but more than that it speaks to me of the very clever use of seductive words to a lady known to the author. The poem never met recognition until three years after the his death giving weight to the personal nature of the poem.

It is, of course, one of his most well-known poems, especially the following lines from the second stanza. They show his distinct hungering for action using a threatening note by comparing the likes of death on her now beautiful body; something that she has probably never thought about.

Time’s wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found;
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long-preserved virginity,
And your quaint honour turn to dust,
And into ashes all my lust;

And the following lines in the last stanza emphasize his impatience and frustration –

Let us roll all our strength and all
Our sweetness up into one ball,
And tear our pleasures with rough strife
Through the iron gates of life:

He wants to take his beloved to the ‘ball’ … some ball! … he wants to gate crash to get what he wants! … note the gates are made of iron … a certain sense of imprisonment. You cannot stand outside life as an observer! … immediate action please.

Many details on this poem can be found on Wikipedia … https://en.wikipedia.org/wiki/To_His_Coy_Mistress

And here is a ‘carp diem’ poem from another famous poet considering the brevity of life at an early age …
https://mywordinyourear.com/2018/10/05/loveliest-of-trees-a-e-housman/

So just do it … if you know what you should be doing! … but don’t be pressured into something you are not ready for.

The Garden of Love – William Blake – Analysis

The Garden of Love

I went to the Garden of Love,
And saw what I never had seen:
A Chapel was built in the midst,
Where I used to play on the green.

And the gates of this Chapel were shut,
And Thou shalt not, writ over the door;
So I turn’d to the Garden of Love,
That so many sweet flowers bore.

And I saw it was filled with graves,
And tomb-stones where flowers should be:
And Priests in black gowns, were walking their rounds,
And binding with briars, my joys & desires.

William Blake (1757 – 1827)

A poem of innocence to experience … youth, represented by playwhere I used to play on the green … to age and church restriction … the freedom of love desecrated as flowers became tombstones.

The gates to the ‘Chapel’ shut … (the term chapel usually refers to a place of prayer and worship that is attached to a larger, often nonreligious institution) … the original ‘Chapel’ was a much different ‘Chapel’ that of the glorious flower of innocent love as a child.

The ABCB rhyme scheme is broken in the last stanza … perhaps in line with the break of innocence. Note also that green in the first stanza has been replaced by black.

The duality of Blake is clearly expressed by his distaste of the restrictions of religion in suffocating the natural expression of human desire.

In Australia in 2017, over 200 years since the birth of Blake, we have approval of same sex marriage (marriage-equality). Enjoy the freedom of love this Valentines Day.

… William Blake on Wikipedia … https://en.wikipedia.org/wiki/William_Blake